#PhantasmaStories: Oh, the horror!


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What untapped magnificence lies dormant in the subconscious mind, just beyond our ability to reach? And what monstrosities lurk there, trapped in the shadowy recesses, waiting to be released? These are the quintessential questions that haunt my daily existence.

And so I journeyed into the dark depths of the tortured soul with five of my author friends, to bring you a collection of paranormal and speculative short fiction and verse.

At its heart, my story UNDERCURRENTS is a a super-hero origin story. But it is also a cautionary tale, one that might make you wonder how much you really want to know about yourself.

Diedre Morneau is like any one of millions of people in today’s world, plagued by a common yet debilitating medical condition for which there is no explanation or cure. The desperate drive to escape her suffering takes Diedre on a dark and dangerous journey that ultimately ends with the beginning of another.

Intrigued? I hope so.

If not, don’t worry. There’s more:

From Jodi McIsaac, Pro Patria Moria is the tale of an Irish soldier who encounters fairies offering magical aid, but will that magic help save those he holds dearest?

In Kate Maruyama’s Akiko, a curse laid in Japan finds its mark in the City of Angels.

Anne Charnock’s The Adoption explores a new age of sexual equality and reproductive freedom where bio-engineered foetuses are gestated in artificial wombs. But what becomes of tomorrow’s orphans?

J.D. Horn gives us Pitch, wherein a goat-faced boy sets out with a rifle to kill his father, the Devil, in 1950s rural Georgia.

The Guardian from the Sea by Jason Kirk is weird fiction in verse form, in which a wheelchair-bound mermaid finds love in an adult-video store, and barely escapes to regret it.



Phantasma Cover

An eclectic collection of speculative short stories by Anne Charnock (2013 Philip K. Dick Award finalist), Jodi McIsaac (“A Cure for Madness,” the Thin Veil series), Kate Maruyama (“Harrowgate”), Roberta Trahan (The Dream Stewards epic fantasy series), J.D. Horn (“Shivaree,” the Witching Savannah series), and award-winning poet Jason Kirk

Join the conversastion at #PhantasmaStories !!

Feel the chill in the air?!! PHANTASMA is coming…


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Available September 22nd – a creepy collection of paranormal and speculative short fiction and verse from best-selling and award winning authors JD Horn, Kate Maruyama, Anne Charnock, Jason Kirk, Jodi McIsaac, and me!

In celebration of the upcoming release, PHANTASMA authors discuss short fiction and the stories that inspired them on Anne Charnock’s blog:

Anne Charnock Phantasma Blog

Warning: May Include Vampires


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My author buddy and uber-talented urban fantasy author Melissa F. Olson is celebrating the upcoming release of BOUNDARY LINES – the second book in her Boundary Magic series – with a huge giveaway!

For a chance to win some spellbinding swag, including books by Shannon Mayer and Jodi McIsaac (and me), just click the image below to like and share Melissa’s FB photo.

Better hurry – giveaway ends on 9/16/15!

MFO Boundary Lines FB Giveaway

Jet City Comic Show: October 31 – November 1 (Tacoma Convention Center)


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Big news! Just returned from Sasquan (Worldcon 2015) in Spokane, WA – where much fun was had meeting and greeting and eating and signing books – to hear that I have been added to the guest list at this years Jet City Comic Show!

I’ll be appearing along with fellow 47North authors Camille Griep (Letters to Zell) and Kate Danley (The Woodcutter). And so very honored to be listed in the company of SFF greats like Terry Brooks and Robin Hobb. Big fangirl moment.

More details to be posted as programming and schedule are confirmed.


Today Only: It’s Like #ComiCon For Your #Kindle!


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In celebration of SDCC 2015, Amazon has a special promotion on over 70 comic and SFF titles, all for only $1.99 each – including both books in my Dream Stewards Series, THE WELL OF TEARS and THE KEYS TO THE REALMS! Click the image below to get this deal. HURRY – it’s only for one day!

ComiCon For Your Kindle

Black Moon Rising


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Also known as the dark moon, today’s lunar super-phenom is synonymous in folklore with the Lilith Myth – Eve’s shadowy alter ego. Historically depicted as a demoness and cast as the wanton woman in cautionary tales, the Lilith spirit more accurately and appropriately represents the fiercest and most independent aspects of the divine feminine. For feminists, Lilith calls to mind the qualities of free-will, self-determination, strength, and power.

Here’s a particularly informative and detailed article on the history of Lilith, with links to more reading:  The Lilith Library

Another article on the metaphoric relationship between the Lilith Myth and the perceptions of women in history and religion : Eve and the Identity of Women


And for the more scientific minded moon watcher, there’s some good information on why tonight’s moon is so special over at Universe Today .

Ageism in Fiction – When did I get so OLD?!!


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Stadust Witches

One of the most unexpected responses to my debut novel, THE WELL OF TEARS, was the negative reaction from younger female readers about the age of the protagonist in the book (she’s around 40), and the fact that she has a long-standing, functional, and happy life partnership.


THE WELL OF TEARS is more or less a multi-generational family saga  with characters who range in age from 19 to 153. The lead protagonist, a sorceress called Alwen who embarks on a quest she has waited half her life to complete, must face a host of complicated challenges and heart-rending losses – the kind that come to someone who has lived long enough to acquire the obligations that come with adulthood – duty to family and community, and to self.

Concepts that are, apparently, inaccessible and / or alienating to younger women.


As a wife, mother, sister, aunt, and feminist – this pains me. It seriously pangs my heart to discover that the only kind of relationship angst some young women want to experience in their reading is whether or not the girl gets the guy. As if there isn’t far more riveting relationship angst to come after the hook up?

Wow. Come on, ladies. Dream bigger.

How I wish I’d been able to find a heroine in the stories I read in my twenties to model the woman I wanted to become, rather than female leads who merely made me feel less alone in my own romantic quagmires. But then, maybe I shouldn’t expect more from readers who are still giving jell-o shot syringes five star reviews ;).

So tell me, young(er) women readers of SFF – why is an older protagonist so unappealing to you? I really wanna know.

When Women Rule the World – If Hermione Were The Main Character in Harry Potter


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In keeping with my #girlpower mantra and feminist mood this week, I leave you with this fabulously funny (and probably NSFW due to multiple F-bombs) post from BuzzFeed – If Hermione Were The Main Character in Harry Potter: (aka Hermione Grainger and the Goddamn Patriarchy):

(click here to be taken to Daniel Dalton’s badass #bosswitch article)

Why Peggy Carter is My Hero


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I am a woman of a certain age – meaning I am now referred to as “ma’am”, and “mature”, and “experienced”. I am a a card-carrying member of Generation X, and AARP, and therefore can claim to know a thing or two.

I find myself mildly annoyed by professional, educated women under the age of 40 today, who vehemently protest the lack of equality for their gender in today’s society – as if no progress has been made. They tend to overlook the fact that they are carrying on a fight that in very large part, has already been won. The BIG battle was fought for the legal right to equality – which, thanks to the generation who came before mine, has been ours since 1972.

Now, I am NOT in any way suggesting that sexism doesn’t still exit. It does, and there is much work yet to be done. But I am suggesting that the younger feminists of this society sometimes fail to acknowledge that they have it much easier than the women who came before them. So. Much. Easier.


I was born in the 60’s and came of age in the early 80’s, in the midst of the second most profound feminist movement of the last century (I count the Suffrage movement as first, because without the vote, well…) I have the legitimate right to claim real understanding of economic and social oppression and the fight to gain equality for women through the ERA and EEOC – because, hell, I lived it. I was also lucky enough to be a part of the generation that changed it.

I was a first – the first woman hired into professional level jobs that had previously been held exclusively by men – in the first three professional jobs I was hired to do. At three separate companies, in three separate industries.

It was a big deal, but I didn’t really understand it at the time – the significance of it, the challenges I would face, and the out-and-out anger and resentment and abuse I would experience. After all, I had been raised to believe and presume that all paths were open to me. I was raised to believe and presume that equality was an inalienable right.

The problem was, that wasn’t really true. Title IX (equal opportunity for girls in school sports) was passed and implemented when I was in the 5th grade. Girls weren’t allowed to wear pants to school in my district until 1974. And the ERA was not fully enforced until I was a college student in the early 1980’s.

My first career level job was a paid internship for The Seattle Times advertising department – a position I was awarded after working my way through a highly competitive selection process in which candidates had to be nominated by an adviser in one of three specific fields of study. Only three schools in the region were invited to submit candidates, and only one candidate from each university was allowed. I was the only female candidate. I got the job.

This scenario played out two more times in my career – in my next successive positions, both at Fortune 500 companies. The experience was the same in all three situations. I was the first (and only) woman hired into the job class / office / district / region – as a result of EEOC compliance requirements. And I was unwelcome.

What does unwelcome look and feel like? I could go into gruesome detail, but to do so would require digging up a painful set of memories I have worked hard to bubble-wrap and pack away. It was openly hostile. It was openly abusive. It was openly threatening. And there was nothing I could do about it but stand my ground – or quit. I was alone on the front lines, without a sympathetic chain of command and few allies. No one of my gender had come before me, so there was no one to call on for help. We women had gotten what we had asked for, and now we had to suffer the cost of victory. Change often comes at a very high, and painful, price.

But it got better. So much better. In fact, so much better that my now twenty-one-year-old daughter grew up having no idea that girls didn’t always get to play on sanctioned basketball teams and go to college on sports scholarships. It never even occurred to her that there was a time when women couldn’t be police officers or firefighters or anything else they wanted to be. She was never educated about the origins of the modern feminist movement in her very progressive suburban school system. I had to tell her.

And I continue to tell her, and all of her friends, and countless other Generation Nexters and Millennials I encounter about the realities of blood, sweat and tears they won’t have to shed because their mothers and grandmothers and great-grandmothers slugged it out for them. Things still aren’t great, sure, but they are better. So. Much. Better.

Agent Carter

Which brings me to why I admire the ABC / Marvel min-series AGENT CARTER. There are only two cultural epochs in modern US History which parallel my personal experience as a professional woman in a time of change – black men (and eventually black women) entering the job market in white corporate America following the Civil Rights Act, and the plight of women in the work force and society at large after the end of World War II.

AGENT CARTER harkens to and pays homage to women who were every bit as essential to the defense of their country as the soldiers who were celebrated. And it does so with humor, and honesty – and a fair measure of accuracy.

Peggy Carter’s world of women is one that begs and deserves to be honored and represented well and truly. It is one which today’s young women need to understand and appreciate, in the same way my generation needed to understand and appreciate it. Because we all stand on the shoulders of super heroes.

So carry on, young women of today – fight the good fight. But do so acknowledging that even though it might not feel like it, you have the privilege of denouncing sexism from a platform elevated by a struggle you will (hopefully) never experience.

And Peggy Carter? She friggin’ rocks.

Peggy Carter